Monthly archive

February 2017


New Music: In The Company of Serpents ‘Ain-Soph Aur’

Next week, Denver doom duo IN THE COMPANY OF SERPENTS will officially unveil their long-anticipated new studio offering, Ain-Soph Aur. Captured last year at Flatline Audio in their home city. The six-track Ain-Soph Aur takes its name from the three veils of negative existence which precede the manifestation of the material universe in the philosophy of Hermetic Qabalaha.  As a precursor to its release, today Cvlt Nation is offering up… Keep Reading

New Releases/News

NEW MUSIC: Lindi ‘Til The Goin’ Gets Gone’

Til The Goin’ Gets Gone EP out Friday 17th March. Alt-country, Canadian presence Lindi Ortega today announces her new EP Til The Goin’ Gets Gone, set for release on 17th March, along with the video for the lead, title track, premiered by Rolling Stone Country. When Lindi Ortega went in search of some quiet last year, the award-winning artist was pleasantly surprised to find a voice she hadn’t heard in… Keep Reading


New Music: Minus The Bear ‘What About The Boat’

FIRST ALBUM IN FIVE YEARS, ‘VOIDS’, DUE OUT 3RD MARCH VIA SUICIDE SQUEEZE RECORDS. Minus the Bear are eagerly anticipating the release their new album this coming Friday, March 3rd. VOIDS marks the Seattle band’s first new full-length in five years and is also their return to their original label home, the venerable Suicide Squeeze Records. Fans interested in getting one last preview of the new songs found on the… Keep Reading


Vader Announce UK Tour!

Polish death metal legends Vader are very pleased to announce that they will both be touring the UK and playing a show in Dublin, this coming April. There is some contention as to the beginnings of Vader, but the truth is that they began in the autumn of 1983 by Piotr ‘Peter’ Wiwczarek (‘Bardast’ and later ‘Behemoth’ back then) playing the bass and the guitarist Zbyszek ‘Vika’ Wroblewski. Extreme metal was… Keep Reading


Joe Cocker

British white-soul singer Joe Cocker parlayed Ray Charles–ish vocals and an eccentric stage presence into a string of late-’60s hits only to suffer from his excesses in drugs and alcohol by the mid-1970s. In the 1980s and 1990s, however, he went from tragic figure to well-respected interpreter, and his gritty, powerful voice remains one of the most distinctive in rock & roll. Cocker attended Sheffield Central Technical School and worked… Keep Reading


Jackie Wilson

Jackie Wilson was one of the premier black vocalists and performers of the late 1950s and the 1960s. No other singer of his generation so perfectly combined James Brown’s rough, sexy style and Sam Cooke’s smooth, gospel-polished pop. Wilson grew up in a rough section of Detroit. In the late ’40s, he lied about his age, entered the Golden Gloves, and won in his division. He later quit at his… Keep Reading


Janis Joplin

Janis Joplin was perhaps the premier blues-influenced rock singer of the late Sixties, and certainly one of the biggest female rock stars of her time. Even before her death, her tough blues-mama image only barely covered her vulnerability. The publicity concerning Joplin’s sex life and problems with alcohol and drugs made her something of a legend. In recent years, periodic attempts to recast her life and work within the context… Keep Reading


Howlin’ Wolf

Delta bluesman Howlin’ Wolf was one of the most influential and imposing musicians of the post-World War II era, and his later electric Chicago blues — featuring his deep, lupine voice — helped shape the sound of rock & roll. Numerous blues-based rock artists, from the Rolling Stones to Eric Clapton, sang his praises and helped sustain his career throughout the 1960s and beyond. Chester Arthur Burnett, named after the… Keep Reading



Some say the devil is in the details. If that’s true, the particulars of the Evanescence story add up to an epic allegory involving a Judas-like betrayal of the band’s early Christian fanbase during its rise from a little-known Southern goth-metal band with religious underpinnings to a massively successful mainstream band in the secular pop world. From the beginning, Evanescence was well crafted and well-marketed. Lead singer Amy Lee had… Keep Reading


Elliott Smith

Elliott Smith emerged from the Pacific Northwest rock scene of the early 1990s, a performer soaked in both grunge’s soul-baring angst and Beatles-infused pop. Smith’s refined sense of arrangement and composition made him a singular figure among singer-songwriters and produced a stellar solo catalog until his presumed suicide in 2003. The Texas native, born Stephen Paul Smith, spent his teenage years in Portland, OR. After graduating from Hampshire college in… Keep Reading


Echo & The Bunnymen

The standard-bearers of Liverpool’s neopsychedelic movement, Echo and the Bunnymen’s moody, atmospheric music combined punk’s energy and edge with the Doors’ poetic theatricality. Self-consciously literary, outspoken, and sometimes arrogant (singer Ian McCulloch was known as “Mac the Mouth”), they never matched their popularity in Europe in the United States. Their influence can be seen in the attitudes and guitar textures of such ’90s English bands as Suede. The Bunnymen were… Keep Reading


Depeche Mode

Depeche Mode were the quintessential Eighties techno-pop band, parlaying a fascination with synthesizers into huge success on the British charts (where its albums consistently went Top 10) and eventually on the U.S. pop chart. Whereas a more traditional four-piece rock band might feature three members playing instruments and the fourth singing and perhaps playing guitar or bass, the lineup of this British group — whose name was inspired by a… Keep Reading


Death Cab For Cutie

Death Cab for Cutie were an unlikely success story in the 2000s, a band that started on a small Seattle-based label and gradually became standard-bearers for a style of sweet indie rock that emphasized gentle melodies and vulnerable, emotionally candid lyrics. Unlike many of their contemporaries, their relatively slow ascent mirrors the pattern set by bands like R.E.M. in the 1980s, they first built a foundation among a dedicated fanbase… Keep Reading


Daft Punk

With their thoroughly modern disco sound — a blend of house, funk, electro and techno — this French duo were one of the biggest electronic music acts of the late 1990s and 2000s. Guy Manuel de Homem-Christo and Thomas Bangalter wore shiny droid costumes at every live show (and only allowed themselves to be photographed in said costumes) but their music was only sometimes robotic: Daft Punk were as influenced… Keep Reading


Crosby, Stills and Nash

The close, high harmonies and soft-rock songs of David Crosby, Stephen Stills, and Graham Nash as Crosby, Stills, & Nash—or CSN&Y, with the frequent addition of Neil Young —sold millions of albums and were widely imitated throughout the Seventies. The members were as volatile as their songs were dulcet, and since 1970 have continually split up and regrouped. Rock’s first supergroup, Crosby, Stills, Nash, and Young each had successful recording… Keep Reading



Fronted by Eric Clapton, Cream was the prototypical power trio, playing a mix of blues, rock and psychedelia while focusing on chunky riffs and fiery guitar solos. In a mere three years, the band sold 15 million records, played to SRO crowds throughout the U.S. and Europe, and redefined the instrumentalist’s role in rock. Cream formed in mid-1966 when drummer Ginger Baker left Graham Bond’s Organisation, bassist Jack Bruce (formerly… Keep Reading


Counting Crows

Released in the fall of 1993 —smack in the middle of the alternative grunge boom —the Counting Crows’ debut album August and Everything After sounded like a blast from rock’s more organic, rootsier past. Dreadlocked frontman Adam Duritz managed to simultaneously draw comparisons to Bob Dylan and Van Morrison with his literate songwriting and soulful vocals, while the band’s music seemed tapped from the same Americana wellspring that nourished the… Keep Reading



When Coldplay issued their debut, Parachutes in 2000, many assumed they only succeeded because they filled the void left by Radiohead, who had became less radio friendly and more experimental with each new release. No doubt, Coldplay’s sound —elegant, melodic, vaguely spacey and very dramatic — bore plenty of similarity to mid-1990s Radiohead. But the group’s hooks, sharpened by frontman Chris Martin’s ability to pull heartstrings, and the their willingness… Keep Reading


Chuck Berry

Chuck Berry melded the blues, country, and a witty, defiant teen outlook into songs that have influenced virtually every rock musician in his wake. In his best work — about 40 songs (including “Round and Round,” “Carol,” “Brown Eyed Handsome Man,” “Roll Over Beethoven,” “Back in the U.S.A.,” “Little Queenie”), recorded mostly in the mid- to late 1950s — Berry matched some of the most resonant and witty lyrics in… Keep Reading



Chicago followed the lead of Blood, Sweat and Tears and the Electric Flag by grafting a horn section onto a rock band. For over a quarter of a century, Chicago has produced 20 Top 10 hits and 15 platinum or multiplatinum albums and sold more than 100 million records. School friends Terry Kath and Walter Parazaider formed the band in 1967 and named it the Big Thing. After they were… Keep Reading

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