The new album from the Kenny Wayne Shepherd Band ‘The Traveler,’ is released today.
Last week the band also announced that they will be returning once again to headline the Outlaw Country Stage at Ramblin’ Man Fair this July and have added extra dates to their UK tour for November.
Gone is the young Louisiana gunslinger who erupted onto the early-’90s scene with his burn-it-down guitar solos and gut-punch songcraft. The 41-year-old he’s become is even more magnetic, still pushing his Fender Strat where others fear to fret. As a grown man and a father, there are different thoughts and feelings that have come into focus. Shepherd’s song ‘Blue on Black’ (From ‘Trouble Is…’) was recently covered by Five Finger Death Punch and Brian May with all proceeds going to the Gary Sinise Foundation. The video has already had over 10.5m views in just over a month, you can watch it HERE
World-class guitar playing has always been his calling card, but in his forties, Shepherd knows when to blaze and when to breathe. “There’s some restraint on ‘The Traveler’,” he considers. “As I’ve gotten older, I’ve started to lean towards the approach of less is more. I play for the song now.“ Taking a cue from his side project, The Rides, the super group he co-founded with Stephen Stills and Barry Goldberg, Shepherd shares more vocal responsibilities with his long-time singer, Noah Hunt, than on past releases, allowing the band more versatility. “I still don’t sound like Muddy Waters,” he smiles. “But I’ve definitely grown as a vocalist. I owe a lot of the credit to Stephen Stills for pushing me to sing more in The Rides.” The album was recorded at Neptune Valley, Los Angeles, with the production of Shepherd and Marshall Altman.
He may move amongst legends, but the modest Shepherd brushes off any suggestion that he belongs in the same breath as the blues greats he collaborated with on 2007’s platinum-selling and Grammy-nominated documentary, ‘10 Days Out: Blues From The Backroads’. Yet he’ll accept that with the old guard fading, there’s a responsibility to carry the torch. “The inescapable reality is that I’m getting older, and the generation of blues artists that went before, well, y’know, nobody lives forever. If I live long enough, I’m gonna wind up in the category of the older statesmen of the blues. For anyone in that position, I think it’s our duty to pass it on. It’s not all about me and my music, the goal is a broader one of keeping the genre alive and relevant.”